Born in 1951, Zhang Boyu, whose ancestral home is Beijing, is a famous Chinese calligrapher and painter. Zhang Daqian’s third-generation heir, researcher and director of the Chinese Calligraphy Art Research Institute, member of the China Artists Association in Beijing, studied at the Painting Department of the Decoration Art Department of the Central Academy of Arts and Crafts. Zhang Boyu, a famous Chinese calligrapher and painter, is the third generation descendant of Zhang Daqian. When he was young, he was taught calligraphy and painting by his uncle Zhang Changshan, and he sincerely worshiped the famous meticulous flower and bird master Professor Tian Shiguang as his teacher. Faced the wall for nine years and closed the door for three years. He studied in the Painting Department of the Decoration Art Department of the Central Academy of Arts and Crafts. The painting art advocates the styles of Huang Quan, Cui Bai, Zhao Ji, Zhang Daqian and Tian Shiguang. Tian Shiguang’s teaching of “all kinds of optics, absorbing everything, forming a style of one’s own”, he changed from the appearance to the middle, from the technique to the way, and from the tradition of emphasizing the interest of law and ignoring the shackles of literature and theory. Artistic foresight constantly breaks through the advantages of being able to write well, drawing on the West’s emphasis on arts and sciences, mastering mastery, and striving to create new ideas. His fine works have been published in various local daily newspapers, art magazines, People’s Daily Overseas Edition and other publications. He worked tirelessly, was keen on sketching, tolerated nature, and strived for the harmony between man and nature. Adhere to the academic attitude of reading through a book. He is a diligent and energetic expressionist painter. ·Researcher and director of Chinese Calligraphy Art Research Institute. ·Member of China Artists Association Beijing. · Member of China Collectors Association. · Art Researcher, Beijing Institute of Arts, China. ·National Senior Artist, Researcher, Chinese Academy of Management Sciences. ·China Buddhist Association Beijing Guangji Temple (disciple of Master Mingyang). The middle-aged painter Boyu’s flower-and-bird paintings always show a sense of agility in their grace and beauty. He never catches people’s eyes with strangeness, and is good at giving people a sense of elegance in the plain. This is his creative purpose-pursuit one by one A state of relaxation and peace. Boyu’s paintings of flowers and birds mostly use half-work and half-writing techniques, birds and birds mostly use labor, and flowers mostly use small freehand brushwork. What is different from others is that his birds, no matter giant peacocks or small insect birds, are brilliant and vivid in color when seen from a distance; in close view, the brush and ink are sophisticated, and the form has a strong sense of beauty. What must be seen is that Boyu’s color screen is a vulgar and cowardly red and green color, and the beauty of color is revealed in the color contrast. That is to say, each color is elegant and ordinary, but when he interweaves and staggers the colors in one place, the colors are vivid and vivid, and immediately radiate a harmonious mood with the theme; in Boyu’s hands, the colors are like many emotional notes, Through his miraculous organization. It produces infinitely beautiful movements. I have seen a picture of the coming of spring he painted. Daydreaming ignites an unspeakable sense of beauty in people’s hearts, making people marvel at his superb memory, which fully reflects his deep understanding of painting and has reached the realm of following his heart and not exceeding the rules. Boyu is meticulous in his paintings, but he never shows the slightest craftsmanship. Instead, he shows the agility and freedom of freehand brushwork in his meticulous workmanship. Everywhere in his paintings are lively and gratifying, soft and diluted, luxurious and elegant, and the indescribable blend of ink and color. All show his many years of painting skills. Like the combination of flowers, trees, stones and birds, which are interlaced and arranged according to the situation, especially the treatment of virtual and real in the picture, the skillful use of color and ink is combined. It makes the picture look more ethereal as a whole. Boyu’s paintings are not weak, which is rare in flower and bird paintings. Of course, this is inseparable from his profound calligraphy skills. His paintings no matter ink line color line, dot dye outline. All contain the interest of calligraphy. And because he is not like some people who paint with heavy red and green themes. Instead, use dilute as its color to highlight a main point. As a result, the eyes of the book are eye-catchingly prominent, and people can never tire of reading them for a long time. They marvel at the beauty of dilution, and remember his harmonious artistic technique of highlighting the theme, painting eyes, and formal artistic beauty in the dilution of beauty. Boyu’s calligraphy and painting are not weak and weak, on the contrary, they are always filled with a kind of heroic and majestic spirit, just as his personality always shows Youyan’s manly and heroic temperament. Flowers and birds form a whole that complements each other in a picture. Flowers and birds do not obey each other, but look at each other, help each other, and promote each other to form a climax: For example, the liveliness of birds and grass insects makes flowers, plants and trees more vigorous, and the gorgeousness of flowers also makes birds, grass and insects appear alive. It can be said. Boyu’s paintings have shown everyone’s demeanor and bearing. He thinks that with the maturity of his artistic concepts, the gradual sophistication of technical attainments, the continuous progress of his own way, the tweaking of Yuan Xiaojia, and the demeanor of everyone has become his relentless goal. We were pleasantly surprised to see that “purpose” has become a reality. Regardless of the size of his paintings, he put an end to sloppiness and sloppiness in his management. It seems that every painting is created when his heart is full of arrogance. In terms of composition, Boyu never artificially controls risks and builds up momentum, but he controls the content in an artistic form because of his influence. The brush, ink and color are combined with physical state, emotion, grasping the overall situation, and controlling the main idea. From his paintings, we can vividly understand what Ouyang Xiu said: Poetry is as ingenious as a painter’s small brush. Knowing how to write in this way is also a matter of nature. Articles can compete with good fortune for a second, which can be verified from ancient poems. Paintings can compete with good fortune for clever seconds. I also got verification from Boyu’s paintings. Boyu’s thick hundreds of paintings are from naive to subtle The course has shown us his artistic strength. Look at the bird, the flower, the leaf… The artistic forms that are realistic but far from the real thing are showing the viewer the painter’s ingenious and superior craftsmanship. This is the charm of Boyu’s flower-and-bird paintings, and it is also the basis for him to become one of the best. Boyu’s paintings are imposing, but there is no lack of beauty and elegance: there is pride, but there is no lack of elegance in the style of brocade embroidery. These painstakingly honed fine products are like cups of old wine, sweet in the mouth, and can withstand careful sipping. They have the timelessness and virtue of real works of art, and are absolutely free from the deceitful taste of some of the current days who are pretentious and old-fashioned. Shows the serious character of a true artist. Teacher Liu Yulai from the Beijing Institute of Art praised him: Boyu is good at continuous writing and craftsmanship, and his techniques are delicate but not crafty. He is in the wind of graffiti wantonly. He dares to abide by the law and learn from the past to open up the present, and has formed his own distinctive and unique personality. It is really commendable. Now Boyu has just passed the year of his destiny, and this is the golden season for him to receive goods. I hope he can cherish and welcome the peak of artistic creation, and create more brilliant works for himself and mankind. By the way, there is another important reason why Boyu can achieve this achievement, that is, he is a disciple of Mr. Tian Shiguang, a famous master of flower-and-bird painting. Bo Yu has also been verified.